
Description
How far it goes
- 250 ml
- 20–25 sheets 18×24 cm
- 500 ml
- 40–50 sheets 18×24 cm
- 1 L
- 80–100 sheets 18×24 cm
- 3 L
- 240–300 sheets 18×24 cm
- 5 L
- 400–500 sheets 18×24 cm
The best-known paper developer there is: Kodak’s metol/hydroquinone formula, which printed most of the twentieth century’s black-and-white photography. Neutral to cold tone, a full black and complete predictability.
Dilution is the contrast control
1+1 is fast and gives the highest contrast, 1+2 is standard for most papers, 1+3 is softer and slower. It is the simplest way to shift the character of a print without changing filtration or re-exposing.
Handling it
In the tray it lasts a working session; in a full closed bottle, weeks. Darkening to a straw colour is normal — a developer giving grey instead of black, or fogging the margins, is exhausted and gets replaced.
Questions and answers
Will it develop film?
No. The contrast is far too high — film comes out almost as line art. Use D-76 or X-TOL for film.
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